Cooler Runnings: The Shoulda-Been-SOTY Poised To Save Alaska’s Legendary Iditarod

April 6, 2024

Behold, the punishing brutality of a mild winter: A shortfall of snowflakes in important mountain areas this past season left some ski resorts struggling to open, scraping by on manufactured snow and ultimately closing early. Sales of snowmobiles and ice-fishing shacks have ‘melted down,’ and balaclava vendors are assumed to be ‘feeling the pinch.’ 

In the icebound reaches of Alaska, it is a financial chill that has set in for the famed Iditarod, the 1,000-mile dog sled race from Willow to Nome that plunges pro mushers through imposing mountain passes and across wind-seared tundra, to the tune of ‘feels like’ 100 below when wizened weather apps factor in the wind-chill. The race makes legends out of hardy dogsmen and their furred steeds, but now it struggles to bridge a funding gap stretching north of $1.4 million, with a key raffle undersold and a general sense of fiscal malaise clouding the epic race’s future. And fewer are willing to pit their mettle against the last frontier’s harshest conditions, with this year’s 33 competitors making for the smallest-ever field of Iditarod mushers

Looking at this state of affairs, one wonders whether the Iditarod’s fortunes could somehow be reversed — say, with the surprise entry of a superstar athlete, someone hailing from a counterintuitively warm climate, backed by a major sporting-goods manufacturer, packing the pop to clear glacier crevasses and sleeping caribou? Switch?

From the May 2024 Thrasher:

Thrasher: I heard you’re into dog sledding now. Is that true?
Tiago Lemos: Yeah, man. Fuck, it’s so fun, bro. 

How’d you get into it?
My girl–she has a friend that has this huge place with more than 300 dogs. When I saw it I was like,
Whoa, I need to do that. And it’s cheap for us to do it because it’s her friend.

So how do you do it? You just get bundled up in a bunch of warm clothes and head down the trail?
Yeah, they give you all the clothes and then they teach you how to manage the dogs, like how to brake. ‘Cause the dogs just want to go, you know? Bro, it’s so fun. It’s the best shit. It feels like you are in a movie.

Could Tiago Lemos’ entry into the 2025 Iditarod inspire a new ‘Cool Runnings’-style biopic based on this epic and potentially true story, with a lucrative merchandising component spanning fur-lined New Balance boots and plush versions of each dog on the team? Would a Primitive collab with sleddog gear makers like 10Square Racing or Mountain Ridge be obligatory? With the Skater of the Year title having so far eluded Tiago Lemos, might his future endeavors be concentrated on landing Team & Trail’s coveted Musher of the Year

Beyond Hypercolor: Pants That Can Change Colour Are Coming

March 24, 2024

The runaway success of the @whatpantsarethose Instagram account, the widely aped ‘Big Boy’ cut and Vincent Touzery’s steadily rising clout quotient all serve to remind one of the skateboard realm’s perennial truisms: Nothing, at all, is more important than pants. The stout-hearted merchants plying this multibillion-dollar opportunity know it, and live their lives. Name another commercial enterprise in which one can begin with a derelict ship sail or excess burlap and, with a few quick slices and the stroke of a threadsman’s needle, yield a product that can command a market premium while simultaneously shielding the user from municipal nudity fines. It is impossible.

For all their prowess and promise, pants remain earthly things, fouled by the same weaknesses, soot and worry that spread soreness in an aged knee, and wear away our pointiest mountain peaks. But the future can change. Electronic car personality Elon Musk recently predicted that AI will outwit all individual human beings in 2025, and all humans combined by 2029. Already, its powers are being calibrated for deployment within the skateboard sphere. Over in Florida, you have Gucci Mane caster Harmony Korine collabing with yung Sean Pablo on an emerging board concern dubbed ‘EDGLRD’ that aspires to splash workaday footage with artificially intelligent software that can reimage skaters’ bodies as scrawny alien creatures, amongst other possibles: 

Sean Pablo: Basically, we would be like skating and there’d be somebody in front, filming us from a car while we’re skating toward them. After it’s filmed, you can watch the clip of you skating down the street from any angle. From the bottom, or the top, it makes no sense. You could do a tre flip and then play it again and again from a different angle each time. It uses sonar or whatever to make a 3D rendering of the room, the environment or whatever. We haven’t even really scratched the surface of what we could do with skate videos.

But what about the pants? Fear not, for this past week, fisheye-slinging Supreme Svengali William Strobeck hinted at a future yet to come via ‘Late Nite Special’ spicing the timeworn zooms with colourful green-screen type flashes to add a sputtering psychedelia to some typically heavy clips from Tyshawn Jones as well as bros including Troy Gipson and Ben Kadow. Watching a shirt’s shifting plaid or the color of Troy Gipson’s hair rapidly flash across the rainbow, one is left wondering, what if it were for real? 

The technology already exists — University of Central Florida scientists described how they have developed an ‘etextile’ that can be controlled with a mobile telephone, producing tote bags, shoe uppers and furniture capable of shifting colours or patterns on demand. It may not be too early to imagine a world in which pants that can change colour in real time not only exist but are widely available, and how they may come to influence and impact skate footage. 

In this world, Vinny Ponte-style spot-to-fit matching is table stakes. Some will remember the older gods of the 1980s who learned from and lived the parables in the mythical Powell Peralta rider guide. On clothing, its teachings were specific: 

Don’t wear white. Better contrast is achieved with red, blue, fuschia, POWELL PERALTA shirts. Wear pants that contrast with the shirt, darker or lighter in color. Black, often times, doesn’t work as a shirt color. Be sure that you have several different shirts/sweatshirts/and jacket available to use. The more choices you have the more flexible the photographer can be.”

Will the coming decade bring pants that can change hue chameleon-like as the wearer backside tailslides a hubba, or flash brightly upon impact, or display animated patterns? Could Supreme and other premium pants vendors eventually shift to a subscription model in which proprietary patterns are uploaded to users’ downloadable fiber databases? Did Ty Evans over a decade ago anticipate Sean Pablo’s multidimensional filming aspirations via ‘Tha Skatrix’? Could customizable fibers be combined with the technology behind the ‘Back 2 Tha Future 2’ self-lacing Nikes to adjust fits on the fly, potentially making yet another Girl skit closer to reality

Groundhog Dae

March 10, 2024

In the 1994 MCU tentpole ‘Forrest Gump,’ the titular superhero is an ageless avenger, moving through historical turning points to right wrongs, defuse diabolical plots and above all, extract vengeance upon criminal villains. In those intrigue-thickened halls of the Watergate Hotel, he walks; here and there, he battles communist forces and faces down the cruelest storms of nature itself to become a de-facto founding father to certain industrialized shrimping conglomerates, so widely known and revered in the current age. 

But these are all stories. Skateboarding has Daewon Song, and he originated the hardflip. This past week he returned once again, playing opposite Atlantic Drifter Mike Arnold in ‘DaeTrip,’ one of the more inspired curveball pairings this side of the 2020 Bobby-and-Hjalte buddy pic ‘Looks OK to Me’. In the newly uploaded video file, Mike Arnold escapes from London’s grayscale hecticism via a wrinkle-resistant ‘Daewon skate tape’ that possesses psychadelic properties. Soon enough Mike Arnold has joined Daewon Song in a sun-bleached paradise of ditches and semi-conventional manual pads, where they pass boards through pipes, skate rocks and dodge bars — Mike Arnold contributing print pants-ready material such as a nose manual revert to switch firecracker and further contributions to the Lloyds blocks lore, while vest-era Daewon Song lounges in the fakie manual position amongst slaloms and other terrain, with the flips out, naturally. 

It’s no knock on Mike Arnold and Drift maestro Jacob Harris to recognize that Daewon Song’s man-out-of-time presence elevates what otherwise might be another worthy entry to the excellent AD body of work — though it also provokes a deeper pondering of Daewon Song’s astounding longevity and vitality, occasionally breaking from the video part treadmill to join forces with era heavyweights in what increasingly suggests a FORE Gump or Dr. Who-esque mission across roughly three and a half Earth decades at this point. In the mid-1990s he was there helping flatground godfather Rodney Mullen extend his pro career by another decade, easy, in the ‘Rodney Vs. Daewon’ series; in the 2000s he teamed with beanie-and-beard tech-gnarist Chris Haslam to transform a derelict auto shop into the miniramp-meets-‘Mousetrap’ fever dream that was Almost’s 2006 classic ‘Cheese & Crackers.’ 

Look closer and you may find Daewon Song moving behind the scenes of yet more seminal moments in the hard rock maple universe, and beyond — take the 2001 Mike Vallely/411VM joint ‘Stand Strong,’ in which a tank topped Daewon Song provides a switch crooked grinding and noseblunt sliding counterbalancing force to Mike V’s mute grabs and street-plant pontificating on what appears to be a Black Label/Deca tour of Australia. In Deca’s ‘2nd 2 None’ and again in Transworld’s ‘IE,’, he proved himself a friend and partner to California’s plastic picnic table and bench industry, and more recently he has helped to school backside tailslide sitter Torey Pudwill in the ways of running a board company, while lending support to refugee-turned-doughnut magnate Ted Ngoy

Is Daewon Song quietly on a decades-long ‘Quantum Leap’-style mission to set right history through a series of increasingly convoluted fakie manuals and bluntslide combos? Is it only a matter of time before he winds up doing a shared part with Fred Gall that could involve fingerflip variations in that one Albany pool out in the woods? What about joining with Bob Burnquist to reimagine the ‘Cheese & Crackers’ contraptions on a Mega scale, involving helicopters and perhaps a fakie manual fakie flip base jump into the Grand Canyon? 

Dakota Servold Made A Whole Transworld Video By Himself

March 2, 2024
It requires a certain steeliness of nerve, a never-look-down style of confidence, to trundle off to market in this bold Year of the Capybara with a wagonload of minimal suede uppers and vulcan soles, seeking purchase and fingerholds upon shoe walls heavy-laden with stay-puft ’90s boots and eBay-ready $150 MSRP limited editions. Just so, Sole Tech’s Emerica this week shows itself to be similarly unshook to point the stalwart footwear concern’s perennially green-tinted lens 180 degrees away from the prevailing stand-and-zoom, face-shoes-face treatment of the modern patterned pants wearers and curb bashers, uploading ‘There’s So Much More,’ a super heavy solo part from tentpole teamrider Dakota Servold, stretched to a feature-length 10 minute runtime.

Here, the feature in question calls back to a certain high-gloss production freighted with snippets of worldly observations, funded by White Pages-scale advertising revenues and coated in creamy atmospherics and b-roll. Whereas energetic beverage conglomerate Red Bull GmbH five years ago conjured the Transworld video spirit for its handrail-drizzled ‘U Good?’, its slow-mo and trip-hop accoutrements lacked much in the way of verbal introspection by the likes of Jamie Foy and Alex Midler. Matt Gotwig generated a fine approximation with his 2021 ‘Birds’ part that came complete with Atiba Jefferson bleep-bloop credits music supervision, but no voiceover; Neils Bennett’s ‘Heroes/Helden’ last year got closer still, dipping into the soul music archives and recruiting Mike Carroll for a brief voiceover.
 
Dakota Servold’s Emerica vid covers all those bases and more, opening with pontifications on the horizon-wide opportunity of the open road and spots waiting to be discovered, interspersed with various quotables and ending with a Young Jeezy/’Thug Motivation’-adjacent exhortation to “go out there.” Other Transworldisms appear throughout, including copious slow-mo, mixed media, desert wastes, fuzzboxed guitars, sunrays blaring through treebranches, and a quotable title.
 
One benefit of the full-production treatment is that Dakota Servold’s tricks are given lots of room to breathe, with lengthy takes and various angles and little filler, and unlike other multi-song epics such as Marc Johnson in ‘Fully Flared’ or Mark Suciu’s ‘Verso,’ this one doesn’t easily divide into chapters. Dakota Servold rummages pretty deep to pull out some pretty wild clips like the frontside bluntslide all the way through the Robert Frost Middle School kinks, the 50-50 up to frontside bluntslide 180 to switch 50-50 down, or that pole jam out to crooked grind down the rail toward the end.
 
After Mike Carroll in Niels Bennett’s vid last year and the Carhartt WIP one several weeks ago, is the voiceover threatening to once again trend? Has the Transworld video format become its own subgenre at this point? Where did he come up with that frontside 180 to switch 50-50 to fakie frontside boardslide combo? Is that one rebar-made rail destined to end a ‘Grains’ video or maybe a future Matt Andersen/Jake Baldini joint?

Bank to Ledge Pin Envy in ‘The Front Row’

February 3, 2024

“Change your latitude, change your attitude,” commanded Jimmy Buffett, the island-hopping crooner with a taste for gold and pirates’ rum, on his breakthrough 1977 vinyl record album. Although he tended to speak less on latitude’s crab-walking sibling, longitude, the message of the ‘Oracle of Omaha’ was plain: Geospatial positioning along the Earth’s north-south axis holds heavy influence over one’s personal feeling and world-view.

Google.com teaches that the geographic coordinates for Bethlehem, Pennsylvania’s are 40.63 degrees north and 75.37 degrees west. Barcelona, Spain, that hotbed of accommodative architecture and lax public consumption statutes, can meanwhile be found at 41.3874 degrees north, 2.1686 degrees east — about 52 miles separating them on the ‘James W. Buffett scale.’ Few may mistake the smoke stacks, derelict structures and petroleum plants of ‘The Front Row’ for Barcelona’s tiled and technicoloured Gaudís, but squint for a little bit at the smorgasbord of banks and bars and other incredible spots that Jake Baldini and Matt Andersen dredged from the rural Midatlantic in their ripping new vid, and wonder whether those planefuls of Spain-bound ’00s pros maybe weren’t looking hard enough.

A bunch of the heads are back from the pair’s still-great 2020 ‘Rust Belt Trap,’ including clips from boss figures Jerry Mraz, John Gardner and Dave Caddo, plus certain hot shoes spanning the Midwest and East Coast — Joseph Delgado, the twisting Ray Abaza, Brett Weinstein hucking a huge backside 180, and footage pumper John Shanahan, grinding a large pipe into a highway lane and rummaging through the Lynx archives. Persons identified as Rubble Man and Jut appear, along with a mountain bike dude, and the heaviest parts come from Jake Baldini and Matt Andersen themselfs, the former hurricane grinding the fearsome Jake Johnson hubba and backside 180 5-0ing to pop out at the JFK banks, the latter spinning a couple crazy back-to-back nollie 180 5-0 180s out on some bank-to-Philly step type spots, while the guitars squall.

The supporting player and sometime scene-stealer throughout this whole video though is what is widely regarded as one of the ‘unicorns’ of street spots: the bank to ledge. Whereas curbs, ledges, rails and stairs can be dime-a-dozen common, if not always perfect, banks to ledges are much fewer and farther between, enough so that some of the more well-known versions have earned a pass for the unwritten rule against fabricated spots — IE, the benches residing atop the Lockwood banks, or the box that sat for a while on the big part of the Brooklyn Banks.

In ‘Front Row’ Jake Baldini and Matt Andersen hoard a trove of banks to ledges, of nearly every color and flavour imaginable — there are banks of diamond plate, square tile and brick to ledges; cellar doors to ledges in multiple sizes and configurations; cellar doors to window sills; bridge support pillars; a bank to ledge to gap to bank, asphalt lumps leading to cinder blocks. The range on display in Jake Baldini’s section alone leaves the viewer wondering whether such fabled spots a freely littered across Pennsylvania, West Virginia and Mary-Land, bound to draw vanfuls of VX-toting ‘Static’ disciples like how the legend of ‘El Dorado’ and its alleged gold-paved streets transfixed wealth-seeking Euros at various points in centuries past.

Might the next Baldini-Andersen joint hold the working title of ‘Bank to Ledge: Tha Video’? Does the array of amazing spots threaten to obscure the crazy tricks on more traditional stuff, like Matt Andersen’s all-the-way backside nosegrind on the Chicago post office block? Will the runaway success of the mineral-gathering video game franchise ‘Minecraft’ lead a generation of kids to embrace anthracite coal mining?

It’s Going Up: Miles Silvas’ SF Residency And The SOTY Strategizations Yet To Come

January 20, 2024

Over greater and lesser epochs alike, the Bay Area has exerted a peculiar but irresistible pull. Sometime in the mid-1800s, the famed ‘Forty Niners’ descended upon its hills, thirsting after the metallic taste of gold. These days, tech bros softly stomp its sidewalks, a hive mind bent on befriending the computer to form a digital future. Previously, lumbering dinosaurs are rumoured to have soaked their weary tails in the Bay’s chilly waters, and gorged themselves on wine-grapes, their drooping heads the next morning inspiring cavemen to originate the phrase ‘hang-over.’

Miles Silvas, a NorCaler hailing from Sacramento and lately residential of the Bay, has been identified as Thrasher Magazine’s 2023 Skater of the Year. In a sequence of events likely already being analyzed by team managers and career-minded hot shoes, his high-risk, high-payoff campaign involved one big video hitting ‘the web’ just before that intensely looming mid-December deadline. The ‘City to City’ vid was devoid of filler and built upon a drip-drop of clips scattered here and there earlier in the year, but whereas various others contending for the title pumped up the volume of footage as the year wound down, Miles Silvas hit High Speed Productions where they live.

The high feeling and content flurry that has come to accompany SOTY season makes it easy to lose in the mix, but bagging big tricks in the Thrasher backyard has long been an element in securing the short-pantsed trophy. Chris Cole shows why on the cover of the August 2009 issue of the magazine, spinning down the Wallenberg High School steps toward his Back-to-the-Berg win and second Skater of the Year award, hands pavement-sliced and bloody, the way one imagines Jake Phelps liked it. The centerpiece of David González’s 2012 run, controversially chose over Guy Mariano and Justin Figueroa, was his kinked 50-50 ender at a Bay Area school that had been eyed up and occasionally tangled with for years. Ishod Wair’s switch frontside bluntslide on the Clipper helped to make his case in 2013.

More recently, Mark Suciu’s ‘Blue Dog’ video that initiated his 2021 campaign leaned on lines at Pier 7 and the New Spot, and he hit more in his ‘Flora’ follow; Tyshawn Jones’ ‘General’ vid that began his second SOTY campaign was much built on big tricks at SF’s Bay blocks and China banks.

Miles Silvas moved to SF in late November 2022 and like half his Adidas video involved bar-raising tricks on spots from the recently revamped Union Square to that BART station rail to the Oakland courthouse and the fearsome Top-of-Mason rail. With the multi-part footage assault having become a central strategy for Skater of the Year aspirants in recent years, Miles Silvas’ Bay residency suggests a new pathway to tempt future hopefuls, with the potential for remaking SF into a global destination similar to the Embarcadero pilgrimages of yore, challenging comers to face down the dual challenges of hill-bomb-obligatory spots and the region’s infamous cost of living.

Could an influx of Skater of the Year chasers apply further upward pressure on rents, or might flying electric air taxis help speed far-flung maple-and-urethane commuters to the City’s hot spots? Could an SF sublet take the place of a private TF for those blessed with deep-pocketed sponsors? Could the carpentry team that built Chad Fernandez a wooden replica of the Staples Center ledge in the Globe video be called upon to construct steeply graded mock-ups of Bay Area hills, to help hone the powersliding capabilities of soon-to-visit pros?

Paperwork

January 1, 2024

Tyler Pacheco – ‘Bubble
All cylinders firing on the bumps and downhill rollaways, with the super long-skidded bigspin to backide tailslide

Frankie Heck – ‘Spitfire X Geometric
Burly power and surprisingly soft landings applied equally to classic line spots – nearly 30 years on, Josh Kalis’ two-up two-down in Dallas is still getting hit up – and roofs. Honk if you get BA vibes on the bump to bar wallride

Vince Palmer – ‘Rad Ratz 7
Dude’s flick has come to look like Europe’s answer to Kader Sylla – he’s been super good, but his skating’s much more eye-pleasing as he’s grown. Points for nollieing into the frontside noseslide heelflip out, the standard version a rinsed trick in 2023

Jenn Soto – ‘Thunder Trucks
There’s a classical summertime backward baseball cap feel running through this section, which has a twister of a trick with the frontside boardslide drop down to manual to backside 180 out, and a flawlwess nose manual nollie flip out on the wavy bench

Ryuhei Kitazume – ‘Meet You There
Anthony Claravall snaps a plastic Digital Video Magazine case around this slug of international footage from one of the bright lights of the extremely productive Tightbooth camp, a master of the twill pant who can sit on frontside blunts forever

Dougie George – ‘Butter Goods
Dub sounds, angular architectures and one of the best backside double kickflips in years, a trick that really needs to be done off a bump like this to look its best

Johnny Purcell – ‘Nova Scotia
Heavy backside tailslides from the Canadian backroads, with some 10C4L-approved garments and music supervision by Instagram – they could have called this vid ‘Even Easterner Exposure’

Daniel Revenal – ‘NINETYFOUR
Doubled-up jumps, a nice nollie noseblunt and a cameo from the AVE bench in the land of bricks and aluminum siding

Dylan Clark – ‘Genesis 3
Persists through some trying battles and holds that one backside smith grind real long — Alanis Morissette is a bold move

Leo Bodelazzi – ‘Venture Trucks Part
Fakie backside 50-50 on the bar, more companies need to follow Venture’s example and put him on

1. Jordan Trahan – ‘Static VI’

December 31, 2023

Various points have come in years past in which it seems as though the proverbial ‘envelope’ cannot be pushed much further, be it handrail flip-intos or A-to-B-to-C-to-D-to-E ledge combinators. People always find a way, and in 2023 here you have Jordan Trahan, perspiring through New Orleans’ nooks and murk, blurring the boundaries of what might clumsily be called the ‘control’ school, revolving around wallriding and wallies and so on. Like kindred spirit Dick Rizzo, he’s a regular doer of impossible-seeming stuff, like, er, a wallride frontside 180 to wallride down on a metal fence in in his ‘Hurricane Party’ clip, but Josh Stewart’s ringing ‘Static VI’ gives his skating the full-length video-ender treatment, to great effect — a slow-burn song that one imagines has been kept in the drawer for such an occasion, exquisite filming and a spot spread that veers from ‘could post up for days’ ledges to that flower-petal volcano that seems tailor-made for one of his 360 flips, and ‘Grains’-ready locales like a barge loading ramp. Jordan Trahan flows and weaves over and across all this, tucking his knee to get the back truck up onto a steep 5-0, mousetrap snapping over the bars, nudging a frontside noseslide pop over to regular on that fat round bar. His way with the steeps makes plausible the idea that in some other timeline, he is a mean pool skater; the ‘Static VI’ parts have been dribbling out online, the full physical production is available here.

2. Nikolai Piombo – ‘Jit’

December 30, 2023

Fuck the tricks, is Nikolai Piombo leading the league in the pants power rankings? His many and varied spins on the swishies injected an additional nylon and often cargo-panted dimension to his extreme confidence on the ledges, where it seems every gently curving block in the greater Los Angeles area has fallen under the power of his crooked grind hanger divots over the past year (and some more abruptly curving ones too). Nikolai Piombo closed WKND’s am-featuring ‘Jit’ vid, took up the Busenitz Pro torch from Dylan Sourbeer, and is one of the industry’s foremost practitioners of the reinvigorated Suski grind; many of this dude’s tricks adhere to Jimmy Gorecki’s ‘don’t do it if it wasn’t in “Trilogy”’ rule, only grinding or sliding several extra feet.