Thursday, May 16, 2024

Chicanonauta: Read the 2023 Extra Fiction Winners

by Ernest Hogan


Those of you who read the italicized notes at the end of these columns may be curious about the Somos en escrito Extra Fiction Contest. I could go on about encouraging writers in the Chicano/Latinoid continuum to pursue the diabolical science fiction/fantasy/horror megagenre, but what better way to explain this than to give you a chance to read this year's winners? So here are some links and nifty graphics:



First Place goes to "Death and the Santa Ana Wind" by Salvador Ayala, a well-crafted Chicanoization of the classic mass-murder-at-a-summer-camp genre, given a lift with realistic location and characters.



Second place goes to "SOE: The Sword of the East" by Robert Martin, a sword-wielding post-apocalypse set in a futuristic barrio with a butt-kicking female protagonist.



Finally, "The Collaborator" by M.R. Subias is a cop story set in LA after Earth has been conquered by aliens—a different Conquest, dealt with in a different way!


I also liked the runners-up: “When a Flower Blooms in Hell” by J.R. Rustrian is a very original take on an afterlife; and the neorealistic/folkloric “Lechuza,” by Carmen Baca. It was a close race, and I had to make up some impromptu rules to come to my final decisions.


I encourage the winners, and the everyone who submitted stories, to keep on writing, and submit your work to be published.  


An interesting trend I’ve noticed is more stories with a pop culture/“commercial” intent rather than high brow/fine art ambitions. I don’t consider it to be a bad thing. These winners deliver as pulp fiction, and could do well in graphic or film adaptations. 


I do keep dreaming of our stories becoming bestsellers that change global culture. So let’s all keep doing it.



Ernest Hogan is trying to sell his latest novel. His reportage on the Trump years can be read in Our Creative Realidades: A Nonfiction Anthology. Guerrilla Mural of a Siren’s Song: 15 Gonzo Science Fiction Stories, his first story collection, has been called “A great introduction to chicano sci-fi from the Father of Chicano Sci-fi himself.”`

 

Wednesday, May 15, 2024

The Lives of Tomato


Written by Romilda Byrd

Illustrated by Tincho Schmidt

 


*ASIN: B0CSWLMGQG

*Publisher: Independently published 

*Language: English

*Paperback: 37 pages

*ISBN-13: 979-8875976094

 

 

"Tomato thrives in a garden brimming with love and care, where everything is wonderful. But when an unimaginable accident befalls Tomato, he must confront a new reality. Forced to change his plans and refocus his dreams, Tomato embarks on an unexpected journey of resilience and adaptation.

 

Yet, amidst the challenges, Tomato discovers the power of second chances. He learns that even when life doesn't go according to plan, there are endless opportunities to create something wonderful. Join Tomato as he navigates setbacks and embraces the possibility of a new path filled with hope and possibility."

 

"The Lives of Tomato" is Romilda Byrd's debut picture book, featuring endearing characters and timeless lessons about perseverance and making a positive impact on the world. With captivating storytelling and charming illustrations, it's a must-have addition to any children's bookshelf.

 

"The Lives of Tomato" is not just a book—it's an opportunity for families to bond over a shared love of nature, food, and exploration. Whether you're a seasoned gardener or just starting out, this book offers something for everyone to enjoy. Add it to your family's library today and embark on a flavorful journey into the world of tomatoes!

 

Introduce your family to the wonderful world of tomatoes with "The Lives of Tomato," a delightful and educational adventure that will engage both parents and children alike.



 


Romilda Byrd is a passionate author with a background in early childhood education. Inspired by her experiences working with families and children, she crafts enchanting stories that inspire imagination, empathy, and environmental awareness. Romilda is an experienced gardener and enthusiastic food lover, as she uncovers the fascinating stories behind one of nature's most versatile and beloved fruits. From the vibrant colors and juicy flavors to the rich history and cultural significance, Romilda's captivating narrative will spark curiosity and inspire young minds to explore the wonders of the garden and the kitchen.



Tuesday, May 14, 2024

Guest Reviewer: Piñata Breaks Into Speculative Realms


Review: Piñata. Leopoldo Gout. A Nightfire Book Published by Tom Doherty Association/Tor Publishing Group

By  Rey M. Rodríguez


In Piñata, written by Leopoldo Gout, Carmen Sánchez, an architect and single mom, travels to Tulancingo, Hidalgo, Mexico, to oversee the renovation of an ancient abbey with her daughters, 11-year-old Luna and 16-year-old Izel.  

 

Soon after their arrival strange and unexplainable events occur, like the appearance of an old, monstrous-faced woman who keeps watch over the family; the discovery of a hidden room in the abbey where a Nahua piñata is found; and the sighting of terrifying apparitions that all preface the chaos that is to come.


I read this book with curiosity, as a writer, because I, too, want to ground my work of fiction in history prior to the Spanish invasion of Mexico, specifically highlighting the Popol Vuh, the creation story of the Maya.  

 

Gout’s book provided me with a model to uplift my narrative and do it in a respectful, thoughtful and entertaining way.  The manner in which he addresses current problems and links them to historical trauma that has far too often been ignored or dismissed, served as a useful approach for what I am trying to do with my writing.


Gout sets the stage for his horror story in the atrocities, massacres, murders, rapes enslavements, and all manner of brutalities inflicted by the Spanish upon the indigenous people of Mexico.  

 

It is with this backdrop that the book’s prologue invites the reader to begin to understand this past, drawing the reader in to make a direct connection between the planting of the original seed of racism 500 years ago and society’s current situation.  

 

Gout entertains and enlightens the reader by effectively using Nahua history that has previously been erased, discounted and misunderstood. Gout welcomes the reader to think biculturally and in this book actually tri-culturally: as a Nahua, Mexican, and United States citizen.  

 

The book begins with a quotation, “Listen carefully to the rhythms of your tongue so that they don’t get lost in memory.”  In Nahuatl it reads, “Tikahaki in tlatsotsonalistli itech thlahtoltsin inik amo polihwi ipan ilnalmiki.”  

 

The invocation to listen with intention reminds the reader that for too long the historians of the victors whitewashed Mexico’s barbaric past labeling the Spanish invasion not as a war, but instead as an entrada, a pacification, or as a conquest to save souls. 

 

Adding to this injustice is that, often, reality is so brutal, barbaric and painful that reading about it in a history book or seeing it on a screen causes many to shy away from even learning about it, or worse yet, attempt to ban books to restrict students of history from learning about the past.  

 

Gout’s choice of horror counters this void by enlightening, even when the reader may not know it, because they are enjoying the story so much. 

 

Who doesn’t love a piñata?  

 

But the hollow birthday decoration of paper and plaster in this book is not the modern day one shaped like a burro that was discovered by Marco Polo in China, brought to Italy, adopted in Spain and then celebrated in Mexico.  No, this piñata already existed among the native Mexica and Mayan populations.  

 

Gout writes:  

He blew the dust off the clay pot, revealing it to be coated in leather and adorned with a terrible grimacing face.  Its teeth were barred and its tongue was out.  It looked like a monster. 

“Interesting pot,” said Carmen. 

“It’s a tlapalxoktli,” replied Quauhtli.

“A piñata.” 

“For children to break?” 

“Not exactly, it’s a sacrifice, an offer, tlamanalistli.”  

 

What these characters will discover is that this offering does not have candy, toys or gum inside, but something much more sinister. 

 

By employing such a powerful historical backdrop and symbol of Mexican identity, Gout can explore powerful questions like how should the past be preserved?  Who has the right and power to preserve the past - the Nahua? the Catholic Church? the Mexican government?  And what should be the appropriate way to avenge the wrongs of the past?  Is violence the right way? Or should another path be taken through religion, either Christian or Nahua? Should we stand in judgment of others or should we learn to forgive? 

 

Piñata may appear on its face as just another horror story, but to anyone who reads this book, including Latinos who are starving to be seen in all types of literature, including the horror genre, Piñata is much more.  

 

Gout uses fiction in much the same way as Jordan Peele did with his directorial debut, “Get Out,” which wove a trenchant social critique with a brilliantly effective horror thrill ride.  Piñata is a fear inducing and well-crafted book that places carefully written Latino characters directly in the canon where too long they have been excluded.  

 

By having Latino characters up front, all readers are richer, although, possibly, sleep deprived because of the scream-inducing nightmares the book may incite in the reader’s imagination. 

 

One character that readers will come to embrace is Yoltzi, a 24 year old woman who at a young age manifested a gift that can “only be described as an ability to see inside people.”  As her name confirms she is Nahua and as a girl she wanted to “become an anthropologist or an interpreter for her mother tongue, or even a lawyer who would defend her people from the oppression” of the rich and the local government.  

 

Yoltzi tries to warn Carmen that Carmen's family is in danger, but the Chicana from New York City misunderstands Yoltzi’s intentions and thinks instead that she is trying to threaten her with physical harm.  

 

Gout’s knowledge of the differences of Mexican Americans living in Mexico, carrying negative biases after growing up in the United States towards Mexicans, shines in this passage.  

 

Another writer might not know the nuances of the experience of being Chicana in the United States and that of being Nahua raised in Mexico.  Gout grew up in Mexico City and then won a scholarship to study sculpture at Central Saint Martins College of Art and Design in London.  He now resides with his family in New York City, so he knows the subtleties and complexity of the Mexican experience across many borders. 

 

Gout does not shy away from the problems that Mexico faces such as drug trafficking, gangs, femicide, government corruption and the dangers that migrants face crossing the border between countries.  He names them and highlights them as problems in his book.  


The author puts these issues in the proper context and explains, through vivid storytelling, that much of these societal problems stem from a systemic trauma tied inextricably to how indigenous people were and are treated since the Spanish arrived to Mexico’s shores. Moreover, his book serves as an allegory as to what may happen if we do not address the past.  

 

Guillermo Bonfil Batalla, a noted Mexican philosopher, asks in his seminal book, Mexico Profundo, “Did Mesoamerican civilization really die, and are the remaining Indian populations simply fossils, condemned five hundred years ago to disappear because they have no place in the present or in the future?” 

 

I think we know that the answer to the question is a resounding, “No,” and Gout’s Piñata is a welcome piece of fiction that reminds us, in an unexpected way, to always remember our past because the consequences for not doing so can be devastating.   

 

 

Meet La Bloga's Guest Reviewer


Rey is a writer, advocate and attorney, who lives in Pasadena, CA.  He is currently working on a novel set in Mexico City and the Mayan Underworld and a nonfiction book on Proyecto Pastoral at Dolores Mission, a nonprofit serving the immigrant community of Boyle Heights for over 30 years.

Monday, May 13, 2024

NPR's Code Switch: In 'Chicano Frankenstein,' the undead are the new underpaid labor force

 


Daniel A. Olivas's novel, Chicano Frankenstein (Forest Avenue Press), puts a new spin on the age-old Frankenstein story. In this retelling, 12 million "reanimated" people provide a cheap workforce for the United States...and face a very familiar type of bigotry. On this episode, NPR's Code Switch host B.A. Parkers speaks to Olivas about what this sci-fi story can help us understand about our real and current immigration system. We also ask, in a world of racism, bigotry, and politicking, who is the real monster?

You may listen to the episode here or wherever you enjoy your favorite podcasts.

***

What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.


Thursday, May 09, 2024

On the Road with the Calexico Kid, More than a Game, A Pilgrimage

                                                                                          

          Note: This is a revision of a Bloga essay I wrote two years ago. More a mission than an essay, I hope readers are moved by Primo Villanueva's story as I was, especially when I learned UCLA Athletics had never inducted him into its athletic Hall of Fame. Maybe it's about time.                                                                                                                                                                  

Making sure everyone who sees knows

  I recently came across faded photos of my dad, his cousin Rufino "Peanuts" Escarcega behind the camera, and his friends posing at the side of a 1952 or ’53 light colored Chevy. It could be my dad’s car. Our family owned a 1953 light green Chevy. On the driver’s door, someone painted the words: “CALEXICO, Comet ‘Primo’ V,’” and underneath, in large caps, “UCLA.” On second thought, I don't think my mom would have allowed anyone to paint words on our car, not even for Primo.

     I wish my dad was here to tell me the story behind the photos. My best guess is it’s 1954. The photos document a trip my dad, his cousin, and his friends took to Berkeley to watch the Bruin football team battle Cal's tough Bears. Other grainy photos show Cal’s Memorial Stadium, the game inside, and my dad’s friends on the Berkeley streets. I don’t think they would have made the trip if it wasn’t for Primo.

                                                                                           

Awaiting the long trip north

     The newspapers dubbed Villanueva, the “Calexico Kid.” A graduate of Calexico High School, a small farming town in the Imperial Valley bordering Mexicali, Primo led UCLA to its first, and only, National Football title in 1954. He racked up more total yards than any other Bruin on the team. Following their young Mexican hero, my dad and his friends weren’t just going to a college football game. They were on a pilgrimage.

     It’s a small photo, and I think I see Dario Sanchez kneeling by the driver’s door. Beside Dario, standing to the rear, it looks like my dad. Next to him in the foreground is George Saenz, and behind George is Richard Sanchez, Dario’s brother. They pose proudly next to Primo’s name. Primo, short for Primitivo, his father’s name.

      Okay, understand, a road trip to Berkeley from West Los Angeles, in the early 1950s, without freeways or major highways, was one hell of a drive. I don’t doubt they had a few “handy sixes” to help them tick off the miles. Why? Because in another photo, Freddie Santana has his arm around my dad’s neck, my dad’s head on his friend’s shoulder. Men, especially Chicanos, don’t usually pose that way in public unless they’ve already knocked back a few. Luckily, "Peanuts," their trusty non-drinking driver, always took the steering wheel.

      Think of it, to reach the San Fernando Valley from West L.A., they had to twist their way around the old Sepulveda Pass, up and over the Santa Monica Mountains, in a car with no power anything. To cross the Valley was a grind, all the way on Sepulveda Blvd, stopping at red lights through every little settlement in San Fernando, Sherman Oaks, Encino, Van Nuys, Reseda, Pacoima, Sylmar, etc. etc. and onto the Saugus, Newhall, and the Grapevine, up Highway 99, then cut across somewhere, maybe outside Modesto, and head west towards the Bay Area. There were few hotels, gas stations, restaurants, or facilities for travelers, and if you were a dark-skin Mexican, forget about it. I can just see them pulling into a Pixley gas station and say, "Fill-er-up, "Primo V" on the side door.

                                                                                       

On the streets of Berkeley
                              

     Now, they might have taken the coastal route, old, slow Highway 101, also no easy feat, meandering through farming towns from Oxnard to Santa Barbara, Arroyo Grande, San Luis Obispo, Atascadero to Salinas, then west to San Jose and into Berkeley, what, maybe a 12-to-14-hour drive, pilgrims on the way to a holy site, Cal the Mecca of early college football on the West Coast.

     As I study the photograph, I think, man, UCLA football must have been a powerful draw to get them to make that journey, a self-anointed "Calexico Comet" PR machine. Then I remember, it wasn’t just UCLA football they followed as kids, hoofing it to Westwood from their homes in Sawtelle to watch the Bruins practice. No, it wasn’t just that. It was Primo Villanueva, and the pride these Chicanos, now grown men, must have felt as the kid from Calexico wowed L.A. fans each weekend under the bright lights.

                                                                                                

Patience, like all pilgrims

     Primo played for one of the greatest football coaches to ever walk the sidelines, Red Sanders. What must it have been like for Primo, a minister’s son, a kid from the poor side of town, in a farming town that was poor anyway, to know a football icon wanted him to move to Los Angeles and play for his team, at the time, one of the best in the country, and a university in Westwood, filled with mostly wealthy "White" kids, who have had the best of everything, including education?

                                                                                         

"Halftime," another tradition in the ritual 

     To many of us Chicanos in Los Angeles, even non-UCLA fans, Primo was a god. He’d dominated high school football, basketball, and other sports in Calexico, the Imperial Valley, and San Diego County. At UCLA, he became an idol to thousands of kids across Los Angeles and California, and at a time when Chicano kids needed someone to look up to.

     When Hollywood and the media flooded us in the ‘50s with images of Mexicans as lazy, dirty, thieves, and slackers, Primo showed the true side of our community, where the majority were law-abiding, hardworking people contributing to the development of this country, striving to educate their kids, and give them a good life, or like my dad and his friends, WWII vets, who had been prepared to sacrifice everything.

    Primo, as a running back, led UCLA’s offensive with 886 yards. He helped UCLA to an undefeated year, 9-0. If that wasn’t enough, he also played defensive back, helped win the PCC League and take the Bruins to a national championship, where they beat Maryland, the defending champs.

                                                                                       

One of the college greats

     This kid, he was a kid, barely 19, when he arrived in Westwood, came in on the heels of the finest UCLA quarterbacks, of the day, Paul Cameron, yet, some say, Primo had a better arm than Cameron. When Primo took the helm his senior year, he shone brightly among UCLA’s superstars, powerhouse athletes like All Americans Jack Elena, Jim Salisbury, and Bob Davenport. We aren’t talking about good athletes here. We are talking about the best in the nation, playing for one of the toughest coaches. Open the L.A. Times after any UCLA game, and Primo’s name would be plastered on the sports page.

     As a kid, I remember my dad, his relatives, and friends couldn’t stop talking about Primo. Sometimes, my cousin Rufino Jr. and I would be the only kids scrunched in the car, "Peanuts," as always, drove each Friday night to the Coliseum. We had to get there early to see the players step down from the bus and walk into the Coliseum tunnel, fans calling out to their favorite players. My dad called Primo’s name. He’d always wave. After the game, the fans rushed on to the field to touch or shake hands with the players. One time, my dad pushed his way through the crowd, so I could gawk up at the towering Chicano in a UCLA football uniform, number 19.

     After the field had emptied, we still weren’t done. My dad and his friends waited for the players to walk up the ramp, in coats and ties, out of the Coliseum, and into the adoring fans, shaking hands and giving autographs. I can still hear my dad and his friends yelling, as if they were kids, “Primo! Primo! Primo!” A few times he'd stop by to chat. They weren't embarrassed to wrangle him to one side.

     Primo did exactly what he promised his mom, in a letter printed in the Calexico Chronicle, “I’ll make every effort to achieve success in my future schooling and will always feel I share my athletic honors or victories with the people of Calexico.” (Eric Preven, City Watch)

     Coincidentally, my wife hails from Calexico, California. Her brothers played high school football, and, of course, I had to ask them if they knew Primo. Her oldest brother, who received a football and athletic scholarship to Dartmouth, told me when he played for Calexico High School, the coach gave him Primo’s helmet, mainly because it was the largest and the only one that fit.

     My father-in-law, Fernando, who also played high school football in Calexico, told me fans would caravan from Calexico and across the Imperial Valley, each season, to watch Primo play. He said on one trip, he and his friends got into a bad car accident, but even that didn’t stop them from attending the game. After stopping to get patched up, they made it to the Coliseum, wrapped in bandages, watching Primo pull out another victory.

     In December 1954, returning home, a National Title for UCLA under his belt, Primo received the keys to the cities of Calexico and Mexicali and rode in a parade through town. The big city hadn’t changed him. Coaches and teachers said he was still the same person he was when he left.

     I have visited Calexico over the years disappointed, today, there is little recognition of Primo, or his younger brother Danny, a punter and field goal kicker for UCLA, the Los Angeles Rams, and the Dallas Cowboys. I would have thought for sure the high school might be named after Primo, or if not, at least the football field, gym, locker room, maybe even a swimming pool, to keep his name alive, a role model for the newest generations of Calexico Bulldogs.

     But I was also disappointed to learn Primo wasn’t even in the UCLA Football Hall of Fame. How could that be? From his tailback position, which in 1954 was more like a quarterback, he ran, passed, caught passes, and blocked clearing the way for others to score. He returned punts and kickoffs. He not only played offense but defense, intercepting a key pass from Stanford’s great quarterback, John Brodie, as sportswriter Dick Hyland wrote it, "If Villanueva was the hero, Stanford was the victim.... The Calexico kid stopped the Stanford drive...by picking off John Brodie's pass and engineering a 46-yard march to the first Bruin touchdown."

     Primo was an All-American football star. But no, nothing, no mention of the man, not at UCLA or in Calexico, at a time when heroes are so desperately needed. In his hometown, most public facilities are named after…who knows, ex principals, superintendents, parents of city council or school board members? When books, films, and plays need powerful characters in stories, why not a Primo Villanueva?

     Here was a kid, who one day was playing football in front of a few hundred fans in high school, and in the next years was playing in front of 101,000 fans in the heart of Los Angeles, at a time when college football was more popular than the pros, and each Friday night all eyes were on the Coliseum.

     Doesn’t it only seem right that his own university should induct him into its Hall of Fame. Maybe it’s about time. How about a few emails to UCLA’s new athletic director, Martin Jarmond: ad@athletics.ucla.edu. My guess is even he might not have heard of one of UCLA’s greats, the Calexico Kid. A simple, "Please induct Primo Villanueva into UCLA's Football Hall of Fame," would do.

Wednesday, May 08, 2024

Do I Belong Here? ¿Es este mi lugar? received the 2024 Paterson Prize for Young People



I am so happy to share the news that Do I Belong Here? ¿Es este mi lugar? received the 2024 Paterson Prize for Young People in the category of Grades Pre K-3. The award is given by the Poetry Center at PCCC, Passaic County Community College, in New Jersey. 


The Book Ted Kooser: More Than a Local Wonder written by Carla Ketner and published by University of Nebraska Press also received the award in the category of Grades Pre K-3. . 


To find the winners in all the different categories, click this link https://www.poetrycenterpccc.com/news-winners/2024/4/30/2024-paterson-prize-for-books-for-young-people-winners

 



An immigrant boy stands “in the middle of a whirlwind of children,” and wonders where he is supposed to go. Finally, a woman speaks to him in a language he doesn’t understand and takes him to his classroom. A boy named Carlos helps orient him, but later when he reads aloud, everyone laughs at him. And when he gets an “F” on an assignment, he is sure “I do not belong here.”  

 

But gradually the boy begins to learn English. He works hard. He always pays attention, finishes his homework and—most importantly—never gives up. He begins to recognize words. “I understand now. Open is abrir, books are libros and page is página.”  And when the kids invite him to play soccer, he thinks, “Maybe I belong here.” As the boy’s grades improve and he make friends, he realizes, “I belong here.” And when he sees a girl looking lost, sure she doesn’t belong, he can say with certainty: “Not yet. But you will.”  

 

Award-winning children’s book author René Colato Laínez teams up again with illustrator Fabricio Vanden Broeck to explore the experiences of newcomers in schools and affirm that yes! They do belong. With beautiful acrylic-on-wood illustrations depicting children at school, this bilingual kids’ book by a Salvadoran immigrant tells an important story that will resonate with all kids who want nothing more than to belong.  

 

“VERDICT: A bilingual text that offers an empathetic look at how immigrant children start to learn little by little, and adapt to their surroundings and friends. Recommended for all shelves.”—School Library Journal (starred review)

 

RENÉ COLATO LAÍNEZ is the author of numerous picture books for children, including My Shoes and I / Mis zapatos y yo (Piñata Books, 2019), Mamá the Alien / Mamá la extraterrestre (Lee & Low Books, 2016), From North to South / Del norte al sur (Children’s Book Press, 2013), René Has Two Last Names / René tiene dos apellidos (Arte Público Press, 2009) and I Am René, the Boy / Soy René, el niño (Arte Público Press, 2005). He is an elementary school teacher in Los Angeles, California.

 

FABRICIO VANDEN BROECK is a designer, illustrator, painter and professor of design at the Universidad Autónoma Metropolitana-Azcapotzalco in Mexico City. He illustrated My Shoes and I / Mis zapatos y yo (Piñata Books, 2019).




 

Tuesday, May 07, 2024

Foto Essay: One Day in the Life of LitFest In the Dena

5 de Mayo Was No Match for Poetry
Michael Sedano


The first weekend in May arrived with a full schedule of poetry readings in communities across the land. The nation's cultural life appears fully re-awakened in the wake of the GOPlague years that kept the nation sequestered and isolated. Literary events were stiff competition for Cinco de Mayo stuff.

This was particularly the case in Altadena and Pasadena, California, where a two-day book and reading festival, "LitFest In the Dena 2024" filled the elegantly cavernous halls comprising Mountain View Mausoleum.

Aside from a pizza truck and a tea purveyor,  the business of the annual LitFest is literature. Festival organizers, Light Bringer Project (link) and literary journal Locavore Lit LA (link), managed five simultaneous panels in chapel, garden, and gallery spaces. 

Choosing a program among hundreds of readers across two days, posed painful decisions.
Listeners seeking the Poetry Hall found themselves seated halfway into the mausoleum's focal point, its 180-foot-long Great Gallery where sixty-four varieties of Italian marble and tile work, stained glass windows, and mural-covered vaulted ceilings created a sublime setting for poets.

La Bloga-Tuesday shared a few Sunday hours at the festival, giving us time with the 
"Pasadena Rose Poets", including Hazel Clayton Harrison, Carla Sameth, Gerda Govine, and Damian; "Embodied Landscapes Water, Wildlife, and the Geographies that Shape Us", featuring Sehba Sarwar, Erika Ayón, Olga García Echeverría, Jamie Asaye FitzGerald, and Alicia Vogl Saenz.


I attended with a special focus upon Golden Foothills Press' book release (link) and reading celebrating the work of Altadena's Co-Poet Laureate, Carla Sameth, and Peter J. Harris. Harris is editor of the anthology (link).

Publisher Dr. Thelma T. Reyna can finally relax with the months-long labor of bringing the
anthology to life, from idea to actuality.

The Altadena Poetry Review: Anthology 2024 features over a hundred writers. Publisher Thelma T. Reyna used her LitFest time allocation to invite readings from the book by Carla Sameth, Hazel Clayton Harrison, Sehba Sarwar, Lester Lennon, Mary Torregrossa, Pauli Dutton, Don Kingfisher Campbell, Elline Lipkin, GT Foster, Jackie Chou, Victor Cass, Dra. Martha Rivas, Sarah Flores, Emily Silich, and John Martinez.

Q&A: Mary Torregrossa 

Elline Lipkin

Emily Silich



Sarah Flores

John Martinez



Victor Cass

Jackie Chou

Hazel Clayton Harrison


Don Kingfisher Campbell



Mary Torregrossa

GT Foster

Dra. Martha Rivas


Meet Altadena Co-Poets Laureate 2024-2026

Lester Lennon

Sebha Sarwar