"With the new synth #arpoloop will also come the ArpoVoce a special module of 60hp with, 4 VCO, 4 VCA, 3 envelope, cassa, snare and noise generator, a complete solution for compact case. https://www.leploop.org/2023/11/20/th..."
"We are getting ready with the new synth and also the big module prototype, it’s ready.
ArpoVoce it’s the Arpoloop voice board in Euro Rack format.
A big module of 60HP offering all you need for a compact setup.
"Morbus Legio from Noise Engineering is a unique processor and noise generator combination!
If you already own a Legio module, this firmware is available for FREE: https://bit.ly/4aZc0JV
Visit our Customer Portal to swap your Legio module to this firmware: http://bit.ly/3JvmC8N
The Frequency encoder changes the frequency of the noise and bypasses when tapped. Harsh changes the sample rate, and Color changes the color and width of the noise. Each of these parameters can also be CV-controlled.
Switch between three modes for wave folding, and add a vintage-inspired Chorus.
Use Morbus to process an external signal with its stereo inputs. Soft clipping, wave folding, full-wave rectification distortion, and chorus can all be applied to the incoming signal, and the internal noise oscillator can be mixed with the output or bypassed."
"Today we Chat with @Elektortek about the STEIM synthesizer
You can support these videos and get lots of extra videos and songs here :- / lookmumnocomputer
Patreon is a massive enable to making videos, the larger DIY projects would be a lot more strung out without it! so i cant thank my supporters enough.
It Also keeps the lights on at @THISMUSEUMISNOTOBSOLETE where you can come and play this synth!
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ACID SOLDER CLUB Veerle Pennock :-
https://veerlepennock.com/
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SIMON CLAESSEN :-
https://drukknop.nl/
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HACK 42 :-
https://hack42.nl/blog/"
See the STEIM label directly below for additional posts.
"Martin Hollinger's SYNTHORAMA in Luterbach/Switzerland not only has an impressive collection of vintage synthesizers, but also a large collection of old drum machines."
"I have a bad habit of cranking the resonance on any machine I touch. It's so ingrained I did it at a friend's studio a little while back on an unfamiliar synth - and after a brief shriek decaying to an air-moving whomp I thanked the gods that the volume was set so low. I've used so many Polivoks-style filters in recent times I'm used to cranking the resonance with impunity.
Which brings me to the delicate love story between the Erica Synths Zen delay and the Behringer Pro-800. My trusty Rev2 is for sale and in its place I bought the Pro-800. Why trade down you may ask? Truth is I'm not a big poly player. The more polyphony you use the more simple the sound needs to be, in which case I wanted a simple yet knobby poly, and that's the Pro-800. Added bonus: no onboard effects. So when the Pro-800 arrived this week I teamed it with the Zen delay immediately.
So the romance is revealed: A brand new Pro-800 teamed with the Zen delay. The 800 is switched on for the first time, the resonance is cranked, the Zen's input drive and overdrive is engaged and almost immediately this gloriously jagged, gritty, and unpredictable darkness pours out.
Five minutes of first-time noodlings is a bit much I admit. And I was going to say all this over the top of the video but that felt wrong, like ads in a funeral service. So instead here it is. It is literally the first time I ever powered it on, to the point where I didn't even know how to save the sound or know whether I'm in tune, on the upside I pretty sure moved every knob and switch so if you want to replicate the sound, there it is.
Even so the 800's resonance is not fully cranked, I had to back off a little just to retain the ability to hold an actual melody.
Whether the 800 is good for anything else, who knows - I haven't got past this sound yet and I must look up how to save it. What's clear though is that the 800's filter teams beautifully with some heavy drive. I can feel more teamings in the air - perhaps another stereo 'Roger That' outing?
One final thing worth mentioning: the Zen delay cost significantly more than the Pro-800. Makes you wonder where your synth dollar is best spent.
"French pro pianist and composer @Andre.Manoukian gets his hands on Osmose for the first time: watch his eyes light up with surprise and joy as he picks up our MPE synth and composes a melody in just a few notes..."
DAWESOME MUSIC videos in order published:
video uploads by DAWESOME MUSIC
Playlist:
MYTH
MYTH - demo track
MYTH - BRACE YOURSELF FOR A SHOCK
Mare Tranquillitatis - track made with MYTH
MYTH - Preset Demo
A Living Beast
MYTH was built to create the joy and inspiration we feel when playing with hardware. Instead of “programming” sounds you create sounds by exploration and tweaking. The sound is rich and organic, and the entire system acts like one organism.
Re-synthesis
In classical synthesis, oscillator waves are mostly static and you add filters and modulators to "program" all the variations to make the sound organic and interesting. MYTH offers a paradigm shift: drag and drop audio and it will be re-synthesised as an IRIS. The inherent variations and richness of the sample can now be exploited with the TRANSFORMER dials. Of course - you can also add classical LFOs, envelopes or filters as much as you want. Just...you will rarely feel the need!
