Ken Loach: Championing the Strugglers and Stragglers
A retrospective of the director’s work at Film Forum shows how his movies have kept a focus on working-class solidarity.
By
A retrospective of the director’s work at Film Forum shows how his movies have kept a focus on working-class solidarity.
By
In “Little Empty Boxes” and other films, the heartbreak of memory loss is intertwined with deeper cultural implications.
By
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about even if you’re not planning to see them.
By
Minhal Baig’s third feature follows two boys living in a public housing complex in Chicago as they cope by building their own dream worlds.
By
‘The Ministry of Ungentlemanly Warfare’ Review: War, Undemanding
Guy Ritchie’s latest is the platonic ideal of an airplane movie, which is not exactly a good thing.
By
Denis Villeneuve Answers All Your Questions About ‘Dune: Part Two’
He explains why Lady Jessica’s face is so heavily tattooed, whether Paul considers himself the Messiah and what he thinks of those Javier Bardem memes.
By
‘Stress Positions’ Review: It’s Giving Pandemonium
The writer-director Theda Hammel’s biting, delirious quarantine comedy skewers white gay men in a world where fact, fiction and authentic experiences collide.
By
‘Rebel Moon — Part Two: The Scargiver’ Review: Of Stars and Wars
A delirious, pulpy mishmash of knockoffs, Zack Snyder’s film isn’t good, but it sure is something.
By
Participant, Maker of Films With Social Conscience, Calls It Quits
The company had critical and commercial hits over two decades but never made money consistently and faced a challenging entertainment landscape.
By
Advertisement
This drug-run thriller, starring Scoot McNairy, traffics in grim ponderousness.
By Ben Kenigsberg
In this ultimately sentimental drama, a lonely fashion magazine editor in Tokyo meets a personal trainer with a secret.
By Devika Girish
In this cheerfully unambitious vampire movie, a bloodsucker is shut up in an old mansion with some nitwit criminals. Will there will be gore? You bet.
By Manohla Dargis
Almost 50 years after it debuted, this classic Black take on “The Wizard of Oz” tries to update its original formula.
By Maya Phillips
Organizers released the event lineup for the annual New York event, set for June. It includes films that trace the lives of Linda Perry and Avicii.
By Matt Stevens
Michael Lindsay-Hogg’s unloved — or misinterpreted? — 1970 documentary, the source for Peter Jackson’s “Get Back,” will stream on Disney+.
By Alex Williams
Restored to its original length and screening at the Museum of Modern Art, this 1933 movie starring Spencer Tracy feels at once surprisingly frank and disquietingly coy.
By J. Hoberman
The action thriller from Alex Garland concludes with an explosive sequence in the nation’s capital. A behind-the-scenes look at how it was done.
By Esther Zuckerman
In this tense thriller on Hulu, Maika Monroe plays Clare, a Kansas transplant in Los Angeles who parallels Dorothy in Oz.
By Natalia Winkelman
Alex Garland’s movie, starring Kirsten Dunst, surpassed “Godzilla x Kong,” with an estimated $25.7 million in North American ticket sales on its first weekend.
By Brooks Barnes
Advertisement
Advertisement