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Music

Highlights

  1. Philharmonic Sidelines 2 Players It Tried to Fire for Misconduct

    The New York Philharmonic said the musicians would not perform for now, after a magazine article brought new attention to allegations of misconduct. They have denied wrongdoing.

     By

    The trumpet player Matthew Muckey, left, and the oboist Liang Wang, right.
    The trumpet player Matthew Muckey, left, and the oboist Liang Wang, right.
    CreditStephen Lovekin/Getty Images, Hiroyuki Ito/Getty Images

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Classical Music

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  1. Review: Under Manfred Honeck, the Philharmonic Becomes One

    In a program of Tchaikovsky and Rachmaninoff, a guest conductor coaxes a sumptuous sincerity from the orchestra’s musicians.

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    Manfred Honeck leads the New York Philharmonic, with the soloist Beatrice Rana at the piano.
    CreditBrandon Patoc
  2. At Carnegie Hall, Weimar Is Irresistible but Vaguely Defined

    Carnegie’s intermittently illuminating festival “Fall of the Weimar Republic” has suffered from interjections of too much standard repertory.

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    Wallis Giunta in Kurt Weill and Bertolt Brecht’s “Seven Deadly Sins,” performed on Friday night by the Ensemble Modern, conducted by HK Gruber.
    CreditStephanie Berger
  3. A ‘Missionary for Opera’ Steps Down in Chicago

    Anthony Freud is leaving Lyric Opera of Chicago on good terms, though the company faces challenges in a strained environment for the performing arts.

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    Anthony Freud, the general director of Lyric Opera of Chicago, is retiring after 13 years there.
    CreditEvan Jenkins for The New York Times
  4. The Phone That Tore Us Apart

    Our long-distance marriage was hard to sustain — and hard to end.

     By

    CreditBrian Rea
  5. ‘Fire Shut Up in My Bones’ Review: A Met Milestone Returns

    After making history as the Metropolitan Opera’s first work by a Black composer, Terence Blanchard’s “Fire” is back — with its showstopping step dance.

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    Brittany Renee and Ryan Speedo Green in Terence Blanchard and Kasi Lemmons’s “Fire Shut Up in My Bones,” which returns to the Met after reopening the house post-shutdown in 2021.
    CreditMarty Sohl/Metropolitan Opera
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