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  • thekhooll:

    Bauhaus Building in Dessau Photographed by Sebastian Weiss

    Sebastian Weiss captures the classic framework of the Bauhaus Building in Dessau, Germany designed by Walter Gropius in 1926.

    Gropius consistently separated the parts of the Bauhaus building according to their functions and designed each differently. He thereby arranged the different wings asymmetrically – in relation to what is today the Bauhausstraße and the Gropiusallee respectively. In order to appreciate the overall design of the complex, the observer must therefore move around the whole building. There is no central viewpoint.

    The glazed, three-storey workshop wing, the block for the vocational school (also three storeys high) with its unostentatious rows of windows, and the five-storey studio building with its conspicuous, projecting balconies are the main elements of the complex. A two-storey bridge which housed, e.g., the administration department and, until 1928, Gropius’s architectural practice, connects the workshop wing with the vocational school. A single-storey building with a hall, stage and refectory, the so-called Festive Area, connects the workshop wing to the studio building. The latter originally featured 28 studio flats for students and junior masters, each measuring 20 m². The ingenious design of the portals between the foyer and the hall and a folding partition between the stage and the refectory, along with the ceiling design and colour design, impart a grandiose spatial coalescence to the sequence of foyer-hall-stage-refectory, shaping the so-called Festive Area. The façade of the students’ dormitory is distinguished in the east by individual balconies and in the south by long balconies that continue around the corner of the building.

    The entire complex is rendered and painted mainly in light tones, creating an attractive contrast to the window frames, which are dark. For the interior, the junior master of the mural workshop, Hinnerk Scheper, designed a detailed colour plan that, by differentiating between supporting and masking elements through the use of colour, aimed to accentuate the construction of the building.

    Images via text via

    See more ARCHy here.

    thekhooll:

    Charcoal Drawings by Levi van Veluw

     Since his early childhood, Levi van Veluw has been fascinated by things that are theoretically possible but difficult to imagine. The fantasy about an environment with other laws of nature, a world with a different logic from ours occupies him. 10 years ago, he became fascinated with Science Fiction books by Fred Hoyle, Isaac Asimov and Aldous Huxley. 

     In his work, van Veluw often reverts to the underlying principles of these stories in which science, technology and the development of knowledge are called into question.“By creating an environment in which everything must be redefined, the visitor loses his hold and grip on reality. His senses and brain become over-stimulated, emotions and feelings are fired up. The visitor is hyper-aware of his surroundings and at the same time invited to become part of it.”

    Via

    See more ARCHy here.

    carudamon119:

    人類を絶滅させる1000の方法
    ‏@tikal
    人間が嫌になったら、豊洲市場に行くと良い。無人駅の「市場前駅」、工事中のカバーが付けられたままの信号、無地で青いままの道路案内板、誰もいない町。すごく美しい。このまま廃墟になってほしい。

    市場の隣にある橋は封鎖されていて、まるでゾンビが向こうからやってくるのを塞いでいるようにも見えるし、橋の先が落とされていてもおかしくない迫力を感じる
    https://twitter.com/tikal/status/808760978158432262