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Spotlight on select March Advertisers
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Current Issue
CLOSE-UP
Thomas Hirschhorn’s Fake It, Fake It – till you Fake It., 2023
PORTFOLIO
Alex Jovanovich introduces a portfolio by Sal Salandra
Paul Pfeiffer, Vitruvian Figure (detail), 2008, cast resin, aluminum, acrylic, 9′ 2 1⁄4″ × 26′ 3″ × 26′ 3″.
Videos
Marjorie Welish in conversation with Alex Jovanovich
Under the Cover
Artist Marjorie Welish talks with Alex Jovanovich about design, semiotics, and modernist philosophy
Columns
Third Thailand Biennale.
Wading through the third Thailand Biennale
Getty Villa.
At Frieze, Felix, and around town
Rachel Maclean, DUCK, 2024, color, sound, 16 minutes. Marilyn Monroe (Rachel Maclean).
On the redemption and reconfiguration of deepfake
Film
Wojciech Jerzy Has
Wojciech Jerzy Has’s deliciously twisted textualities
74th Berlinale.
Nonfiction filmmaking at the 74th Berlin International Film Festival
Berlinale sign.
Small looms large at the 74th Berlin International Film Festival
From the archive
MARCH HOMEPAGE
March 1983
In this piece from Artforum’s March 1983 issue that is itself deserving of classic status, Thomas McEvilley locates the origins of performance art in ancient Greece—that is, the disruptive lived philosophy of Diogenes of Sinope. This month, as we pay homage to Pope.L—whose ingenious performative actions were deeply rooted in philosophical inquisition—we revisit McEvilley’s piece for its idiosyncratic take on a medium whose art-historical origins are perhaps not as recent as we conventionally take them to be.  —The editors
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