Art In Conversation
Loie Hollowell with Amanda Gluibizzi
I visited artist Loie Hollowell at her bright Queens studio on a bristlingly cold February day. We were meeting to discuss her ten-year survey at the Aldrich Contemporary Art Museum in Ridgefield, CT, and her solo exhibition of works on paper at Pace Gallery in Chelsea.
Art In Conversation
Albert Oehlen with Mark Hudson
German artist Albert Oehlen began painting as a teenager and has continued working throughout the decades, moving from figuration to abstraction in a manner that makes the distinction less meaningful than it is for most painters. Oehlen’s interest in artificiality and the formal processes of layering and of experimentation underlie his recent work.
Art In Conversation
Pat Steir with Pepe Karmel
For over three decades, Pat Steir has been one of the leading painters in America. Her abstract waterfalls, with their rivulets of paint descending through cosmic spaces, discover unsuspected possibilities in the vocabulary of gestural abstraction, and reveal a profound spiritual dimension to contemporary art.
Art In Conversation
Kay WalkingStick with Patricia Marroquin Norby
Kay WalkingStick is currently enjoying a moment of tremendous recognition, with multiple solo exhibitions and international group shows on the near horizon. If her stars have aligned, it’s not because WalkingStick has done anything different. As the artist says in the interview that follows, she hasn’t changed.
From the Publisher & Artistic Director
Dear Friends and Readers
By Phong BuiFreedom of expression has never flourished under any authoritarian regime, for censorship is the most effective tool to keep any dictator in power.
Editor's Message
What Does It Feel Like To Write A Poem?
By Alice NotleyThis is what I think: that one feels nothing while writing a poem and only sort of thinks. It’s a high-wire act. Maybe. And the feelings associated with a poem, long or short, are entities from before and after the writing of the poem—which may well contain them—but one doesn’t, even cannot, experience them while writing.
Critics Page
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On a Journey You Only Know You Are Going—Writing Poetry and the Move into Another House
– By Diane Glancy -
On Pleasure in Poetry in An Bình
– By Dale Martin Smith -
Risen Above Ashen Laterality
– By Will Alexander -
Antechamber
– By Chris Tysh -
Throwing a Largely Continuous Net
– By Cedar Sigo -
Pleasure in Poetry
– By Martin Corless-Smith -
Becoming Nothing
– By The Friend -
Eleni Sikelianos
-
Poem
– By Edmund Berrigan -
The Lost Poet’s Teacher
– By David Rosenberg
ArtSeen
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Thomas Nozkowski: Everything in the World
– By Louis Block -
FotoFest Biennial 2024: Critical Geography
– By Madison Ford -
Teruko Yokoi
– By Elizabeth Buhe -
Dawn Kim and Phil Chang
– By James Welling -
Hayv Kahraman: The Foreign in Us
– By Rosa Boshier González -
Claude Viallat: Made in Nîmes
– By David Rhodes -
Chuck Close: Red, Yellow, and Blue: The Last Paintings
– By Eileen Costello -
Donna Dennis: Houses and Hotels
– By David Ebony -
Claude Lawrence: Reflections on Porgy and Bess
– By Mark Bloch -
Accommodating the Object: Bosiljka Raditsa and Elizabeth Yamin
– By Jonathan Goodman -
Anna Ting Möller: grafting, for that which grows and that which bars
– By Qingyuan Deng -
Sargent Claude Johnson
– By Margot Yale -
Harold Cohen: AARON
– By Saul Ostrow -
Eric Fischl: Hotel Stories
– By Alfred Mac Adam -
Sam Jablon: Linger Longer
– By Saul Ostrow -
Ceija Stojka: We Lived in Secrecy (A Roma Memory)
– By David Carrier -
Dream Time
– By Hindley Wang -
Peter Sacks: For the Record
– By Phyllis Tuchman -
Christopher Wool: See Stop Run
– By Amanda Gluibizzi -
Christopher Wool: See Stop Run
– By Richard Hell -
Christopher Wool: See Stop Run
– By Andrew Paul Woolbright -
Richard Hunt: Early Masterworks
– By Jessica Holmes -
Stan VanDerBeek: Transmissions
– By Stephen Frailey -
Carmen Herrera: Paintings on Paper
– By David Ebony -
Mo Kong: Swift Island Chain
– By Caitlin Anklam -
Terry Fox: All These Different Things Are Sculpture
– By Cassie Packard -
Peter Sacks: For the Record
– By Selena Parnon -
George Segal: Themes and Variations
– By Robert Taplin -
Loie Hollowell
– By Elizabeth Buhe -
Paul Wesenberg: Half Past Paradise
– By Ekin Erkan -
Mel Kendrick: Cutting Corners
– By Barbara A. MacAdam -
Raymond Saunders: Post No Bills
– By William Corwin -
Eyal Danieli: Late Works
– By Daniel Licht -
Amoako Boafo: The one that got away
– By Charles Moore -
Cathrine Raben Davidsen: Let Everything Happen to You
– By Alice Godwin -
Graham Little
– By Jenny Wu -
Pat Adams: Works from the 1950s and ’60s
– By Alfred Mac Adam -
Jean-Michel Basquiat: Made on Market Street
– By Terry R. Myers -
Elaine Cameron-Weir: A WAY OF LIFE
– By Hindley Wang -
Whitney Biennial 2024: Even Better Than the Real Thing
– By Charles Schultz -
Delcy Morelos & Ettore Spalletti
– By Chloe Stagaman -
Jess: Piling Up The Rectangles
– By Patrick Hill -
Huma Bhabha: Welcome…to the one who came
– By William Corwin
Table of Contents
Publisher's Message
-
Dear Friends and Readers
– By Phong Bui
Editor's Message
-
What Does It Feel Like To Write A Poem?
– By Alice Notley
Art
-
Loie Hollowell with Amanda Gluibizzi
-
Albert Oehlen with Mark Hudson
-
Pat Steir with Pepe Karmel
-
Kay WalkingStick with Patricia Marroquin Norby
ArtSeen
-
Thomas Nozkowski: Everything in the World
– By Louis Block -
FotoFest Biennial 2024: Critical Geography
– By Madison Ford -
Teruko Yokoi
– By Elizabeth Buhe -
Dawn Kim and Phil Chang
– By James Welling -
Hayv Kahraman: The Foreign in Us
– By Rosa Boshier González -
Claude Viallat: Made in Nîmes
– By David Rhodes -
Chuck Close: Red, Yellow, and Blue: The Last Paintings
– By Eileen Costello -
Donna Dennis: Houses and Hotels
– By David Ebony -
Claude Lawrence: Reflections on Porgy and Bess
– By Mark Bloch -
Accommodating the Object: Bosiljka Raditsa and Elizabeth Yamin
– By Jonathan Goodman -
Anna Ting Möller: grafting, for that which grows and that which bars
– By Qingyuan Deng -
Sargent Claude Johnson
– By Margot Yale -
Harold Cohen: AARON
– By Saul Ostrow -
Eric Fischl: Hotel Stories
– By Alfred Mac Adam -
Sam Jablon: Linger Longer
– By Saul Ostrow -
Ceija Stojka: We Lived in Secrecy (A Roma Memory)
– By David Carrier -
Dream Time
– By Hindley Wang -
Peter Sacks: For the Record
– By Phyllis Tuchman -
Christopher Wool: See Stop Run
– By Amanda Gluibizzi -
Christopher Wool: See Stop Run
– By Richard Hell -
Christopher Wool: See Stop Run
– By Andrew Paul Woolbright -
Richard Hunt: Early Masterworks
– By Jessica Holmes -
Stan VanDerBeek: Transmissions
– By Stephen Frailey -
Carmen Herrera: Paintings on Paper
– By David Ebony -
Mo Kong: Swift Island Chain
– By Caitlin Anklam -
Terry Fox: All These Different Things Are Sculpture
– By Cassie Packard -
Peter Sacks: For the Record
– By Selena Parnon -
George Segal: Themes and Variations
– By Robert Taplin -
Loie Hollowell
– By Elizabeth Buhe -
Paul Wesenberg: Half Past Paradise
– By Ekin Erkan -
Mel Kendrick: Cutting Corners
– By Barbara A. MacAdam -
Raymond Saunders: Post No Bills
– By William Corwin -
Eyal Danieli: Late Works
– By Daniel Licht -
Amoako Boafo: The one that got away
– By Charles Moore -
Cathrine Raben Davidsen: Let Everything Happen to You
– By Alice Godwin -
Graham Little
– By Jenny Wu -
Pat Adams: Works from the 1950s and ’60s
– By Alfred Mac Adam -
Jean-Michel Basquiat: Made on Market Street
– By Terry R. Myers -
Elaine Cameron-Weir: A WAY OF LIFE
– By Hindley Wang -
Whitney Biennial 2024: Even Better Than the Real Thing
– By Charles Schultz -
Delcy Morelos & Ettore Spalletti
– By Chloe Stagaman -
Jess: Piling Up The Rectangles
– By Patrick Hill -
Huma Bhabha: Welcome…to the one who came
– By William Corwin
Critics Page
-
On a Journey You Only Know You Are Going—Writing Poetry and the Move into Another House
– By Diane Glancy -
On Pleasure in Poetry in An Bình
– By Dale Martin Smith -
Risen Above Ashen Laterality
– By Will Alexander -
Antechamber
– By Chris Tysh -
Throwing a Largely Continuous Net
– By Cedar Sigo -
Pleasure in Poetry
– By Martin Corless-Smith -
Becoming Nothing
– By The Friend -
Eleni Sikelianos
-
Poem
– By Edmund Berrigan -
The Lost Poet’s Teacher
– By David Rosenberg
Books
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Ada Limón with Mandana Chaffa
-
George Guida with John Domini
-
John Reed with Tiffany Troy
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Elliott Gish with Allison Wyss
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Caoilinn Hughes’s The Alternatives
– By Yvonne C. Garrett -
Richard Scott Larson’s The Long Hallway
– By Daniel Allen Cox -
Caroline Crampton’s A Body Made of Glass: A Cultural History of Hypochondria
– By Sara Polsky -
Gabriel García Márquez’s Until August
– By Iman Sultan
Music
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On the Radio
– By George Grella -
Rafael Toral And His Magical Wild-Forest Electroacoustic Orchestrations
– By Martin Longley -
Opening the Door
– By Scott Gutterman -
The Old Metal Gods
– By Andrey Henkin
Dance
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Resonant Rituals
– By Hannah Chang Foster -
Eun-Me Ahn with Phoebe Roberts
– By Phoebe Roberts -
Lydia Abarca and Karen Valby with Phoebe Roberts
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A Reality of No Return
– By Candice Thompson -
So Many, Many Steps in Time
– By Susan Yung
Film
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Elena Rossi-Snook with Frank Falisi
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Jianjie Lin with Weiting Liu
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Besire Paralik’s Overcoming
– By Harrison Blackman -
Shu Lea Cheang’s Fresh Kill
– By Ayanna Dozier
Theater
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An Official New York City Fringe Festival Arrives in New York
– By Eve Bromberg -
In I DANCE ALL THE TIME, Together Toward the Limitless Horizons
– By Hillary Gao -
On Orlando, and Sarah Ruhl’s Theatrical Transformations
– By Billy McEntee -
An Enemy of the People Plays Down Ibsen’s Anti-party Politics
– By Lily Goldberg
Fiction
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A Moment of Madness
– By Hari Krishna Kaul -
from The Good Deed
– By Helen Benedict
Poetry
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Michael D. Snediker
-
Noa Mendoza
-
Matt Hart
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Camille Roy
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Michael Ruby
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Adam Strauss
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Sue Landers
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Michael Chang
-
Alonso Llerena
-
Kiran Bath
Art Books
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Miyoko Ito: Heart of Hearts
– By Leigh N. Gallagher -
Paul Kooiker’s Fashion
– By Zach Ritter -
Taysir Batniji’s Disruptions
– By Jake Romm -
Maggie Nelson’s Like Love: Essays and Conversations
– By Jenny Wu -
Craig Oldham’s In Loving Memory of Work: A Visual Record of the UK Miners’ Strike 1984-85
– By Andrew Holter
Special Report
-
Roy Lichtenstein: From The Ridiculous To The Sublime
– By Steven Pollock -
Nothing Expected
– By Sohrab Mahdavi
Field Notes
-
Editor’s Note: Ten Years
– By Paul Mattick -
Living through the Perfect Storm: William Robinson with Zhandarka Kurti
-
Looking Back: Two Key Moments of the Portuguese Revolution
– By Charles Reeve
Art and Technology
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Art, Media, and Two Centuries of Avant-Garde Efforts, In 2 Parts
– By Charlotte Kent
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