Art In Conversation
Nathaniel Dorsky & Jerome Hiler with Will Epstein
Nathaniel Dorsky and Jerome Hiler are returning to New York. Partners in life and cinema for nearly sixty years, this month, MoMA and Anthology Film Archives will present a panoply of screenings of their experimental, personal, and mostly silent filmsspanning from their earliest endeavors of the 1960s when they were immersed in New Yorks cross cultural artistic bloom, to more recent poetic transmissions from their perch in San Francisco.
Art In Conversation
Lubaina Himid with Dr. Omar Kholeif
Lubaina Himid is a painter who uses the canvas to experiment not only with the language of traditional art history, but also to engage with the social sphere. Many of her works exist, as Himid has noted, in the moment between a question and an answer, and in those interstices, audiences are invited to enter her exhibitions as worlds of their own making.
Art In Conversation
Leelee Kimmel with Phong H. Bui
I remember being in full rapture before many of her paintings, due, at least in part, to the maximal stimulant of urban energies made up of numerous tightly edged regions of bright colors evoking a post-Surrealist geography of imagination.
Art In Conversation
Suzanne McClelland with Nancy Princenthal
Suzanne McClelland has been exploring relationships among visual, written, and spoken language figures and their coded representation throughout her career as a painter.
Art & Autocracy
By Greg AllenMaybe this is a time to look for something else in art, to look at art that resonates with this moment on the precipice of authoritarianism, and to learn from it. What can be gleaned by reconsidering art made in similarly dangerous situations in the past, not with the complacent relief of historical distance, but with an awakened sense of urgency for our own time and place?
From the Publisher & Artistic Director
Dear Friends and Readers
By Phong BuiAs our internal conflicts are escalating at home, with the left and the right bending their own twigs on endless frictions, and pushing their ideologies as if to see how far they can go before the twig breaks and or bends and springs back, whipping their own faces, wars and violence continue to intensify abroad.
Editor's Message
The Eyes of Site Specific Art (Re-imagined)
By Michael AupingThe Guest Critic is charged with suggesting a topic or theme that can be explored and debated for this special section of the Rail. On the occasion of the re-staging of Jenny Holzers 1989, architecturally encompassing piece at the Guggenheim, I have chosen the theme of site-specific Art. To my mind, Holzers Guggenheim project is one of the great site-specific works of my generation. It is also part of a larger history that has grown in some very interesting ways.
Critics Page
-
Michael Auping on Jenny Holzers Installation for the Guggenheim
-
Function of Architecture
– By Daniel Buren -
Siting Sculpture: From Ancient Greece to Bernini
– By C. D. Dickerson III -
Susan Rothenberg with Michael Auping
-
Richard Serra with Michael Auping
– -
Con con /Kon kon (How the site shapes the form)
– By Cecilia Vicuña -
Richard Long
-
Refreshing the Playing Field: Robert Irwins 1977 Whitney installation
– By Mark Rosenthal -
Bruce Nauman with Michael Auping
-
Taking Place
– By Alan Michelson -
Dancing with and for the Dead: Site as Place
– By Eiko Otake -
No Place Like Home: Kinfolk House as a Site-Specific Work
– By Jessica Fuentes -
Landscape Creation
– By Tadao Ando
ArtSeen
-
THE END
– By Vittoria Benzine -
Thomas Blair, Kunning Huang, and Waseem Nafisi: Canon
– By Clare Gemima -
Celestial Mechanics: Form and Future in the Work of Gerhard Richter and Sean Scully
– By Natalia Gierowska -
Yves Klein and the Tangible World
– By Jessica Holmes -
Justin Cloud: Knightwatch
– By Andrew Paul Woolbright -
Paris 1874, Inventing Impressionism
– By Donatien Grau -
Joe Bradley: Vom Abend
– By Andrew Paul Woolbright -
Fetish: Photographs by Jorge Alberto Cadi, Le Fétichiste, and Miroslav Tichý
– By Joseph Akel -
Michael Sims
– By David Whelan -
Dan Walsh
– By Ekin Erkan -
Sturtevant
– By Suzanne Hudson -
Natalia Lassalle-Morillo: En Parábola/Conversations on Tragedy, Part I
– By Caitlin Anklam -
Kimsooja: Meta-Painting
– By Emily Chun -
Prototype 1.0
– By Tom McGlynn -
Ray Johnson: Paintings and Collages 1950-66
– By Mark Bloch -
Stanley Whitney: How High the Moon
– By Charles Schultz -
Lucy Puls: Here Everywhere Selected Works 1989–2003
– By Clara Maria Apostolatos -
Nancy Brooks Brody: Ode
– By Ann C. Collins -
Lucy Mackenzie: Still
– By Ekin Erkan -
Sonia Delaunay: Living Art
– By Amanda Gluibizzi -
Peter Nadin: The Invisible World
– By Jessica Holmes -
Joan Jonas: Good Night Good Morning
– By Alfred Mac Adam -
Robert Moskowitz: Paintings and Drawings from Four Decades
– By Barbara A. MacAdam -
Carol Wainio: Recent Paintings and Drawings
– By Ann McCoy -
Nari Ward: Ground Break
– By Charles Moore -
Lynn Hershman Leeson: Anti-Aging
– By Selena Parnon -
Florian Pumhösl: Lithosphere
– By Benjamin Paul -
Gustav Klimt: Klimt Landscapes
– By David Carrier -
Françoise Gilot
– By Jillian Russo -
Joy Curtis: Night Hike and Ocean Grandma
– By Elizabeth Buhe -
Mary Lum: Temporary Arrangements
– By Ekin Erkan -
Dona Nelson: Selected Paintings: 2019-2023
– By Alex Grimley -
Joe Bradley: Vom Abend
– By Patrick Hill -
Maryam Taghavi: Nothing Is
– By Pia Singh -
Beatrix Potter: Drawn to Nature
– By Lyle Rexer -
Martha Tuttle: Touch / Stone
– By Tom McGlynn -
Chris Watts: Integration
– By Nicholas Heskes
Table of Contents
Publisher's Message
-
Dear Friends and Readers
– By Phong Bui
Editor's Message
-
The Eyes of Site Specific Art (Re-imagined)
– By Michael Auping
Art
-
Nathaniel Dorsky & Jerome Hiler with Will Epstein
-
Lubaina Himid with Dr. Omar Kholeif
-
Leelee Kimmel with Phong H. Bui
-
Suzanne McClelland with Nancy Princenthal
-
Art & Autocracy
– By Greg Allen
ArtSeen
-
THE END
– By Vittoria Benzine -
Thomas Blair, Kunning Huang, and Waseem Nafisi: Canon
– By Clare Gemima -
Celestial Mechanics: Form and Future in the Work of Gerhard Richter and Sean Scully
– By Natalia Gierowska -
Yves Klein and the Tangible World
– By Jessica Holmes -
Justin Cloud: Knightwatch
– By Andrew Paul Woolbright -
Paris 1874, Inventing Impressionism
– By Donatien Grau -
Joe Bradley: Vom Abend
– By Andrew Paul Woolbright -
Fetish: Photographs by Jorge Alberto Cadi, Le Fétichiste, and Miroslav Tichý
– By Joseph Akel -
Michael Sims
– By David Whelan -
Dan Walsh
– By Ekin Erkan -
Sturtevant
– By Suzanne Hudson -
Natalia Lassalle-Morillo: En Parábola/Conversations on Tragedy, Part I
– By Caitlin Anklam -
Kimsooja: Meta-Painting
– By Emily Chun -
Prototype 1.0
– By Tom McGlynn -
Ray Johnson: Paintings and Collages 1950-66
– By Mark Bloch -
Stanley Whitney: How High the Moon
– By Charles Schultz -
Lucy Puls: Here Everywhere Selected Works 1989–2003
– By Clara Maria Apostolatos -
Nancy Brooks Brody: Ode
– By Ann C. Collins -
Lucy Mackenzie: Still
– By Ekin Erkan -
Sonia Delaunay: Living Art
– By Amanda Gluibizzi -
Peter Nadin: The Invisible World
– By Jessica Holmes -
Joan Jonas: Good Night Good Morning
– By Alfred Mac Adam -
Robert Moskowitz: Paintings and Drawings from Four Decades
– By Barbara A. MacAdam -
Carol Wainio: Recent Paintings and Drawings
– By Ann McCoy -
Nari Ward: Ground Break
– By Charles Moore -
Lynn Hershman Leeson: Anti-Aging
– By Selena Parnon -
Florian Pumhösl: Lithosphere
– By Benjamin Paul -
Gustav Klimt: Klimt Landscapes
– By David Carrier -
Françoise Gilot
– By Jillian Russo -
Joy Curtis: Night Hike and Ocean Grandma
– By Elizabeth Buhe -
Mary Lum: Temporary Arrangements
– By Ekin Erkan -
Dona Nelson: Selected Paintings: 2019-2023
– By Alex Grimley -
Joe Bradley: Vom Abend
– By Patrick Hill -
Maryam Taghavi: Nothing Is
– By Pia Singh -
Beatrix Potter: Drawn to Nature
– By Lyle Rexer -
Martha Tuttle: Touch / Stone
– By Tom McGlynn -
Chris Watts: Integration
– By Nicholas Heskes
Critics Page
-
Michael Auping on Jenny Holzers Installation for the Guggenheim
-
Function of Architecture
– By Daniel Buren -
Siting Sculpture: From Ancient Greece to Bernini
– By C. D. Dickerson III -
Susan Rothenberg with Michael Auping
-
Richard Serra with Michael Auping
– -
Con con /Kon kon (How the site shapes the form)
– By Cecilia Vicuña -
Richard Long
-
Refreshing the Playing Field: Robert Irwins 1977 Whitney installation
– By Mark Rosenthal -
Bruce Nauman with Michael Auping
-
Taking Place
– By Alan Michelson -
Dancing with and for the Dead: Site as Place
– By Eiko Otake -
No Place Like Home: Kinfolk House as a Site-Specific Work
– By Jessica Fuentes -
Landscape Creation
– By Tadao Ando
Books
-
Out of the Waiting Air
– By Ron Horning -
Victoria Chang with Mandana Chaffa
-
Omotara James with Ricky Tucker
-
Alina Grabowski’s Women and Children First
– By Carissa Chesanek -
Mauro Javier Cárdenass American Abductions
– By John Domini -
Elizabeth O’Connor’s Whale Fall
– By Yvonne C. Garrett -
Vinson Cunningham’s Great Expectations
– By Henry Hicks IV -
Tiffany Sia’s On and Off-Screen Imaginaries
– By Cassie Packard -
Shze-Hui Tjoa’s The Story Game
– By Kate Preziosi -
Michael Deagler’s Early Sobrieties
– By Meghan Racklin -
Fine Gråbøl’s What Kingdom
– By Sophie van Well Groeneveld
Music
-
Anthony Roth Costanzo with William Corwin
-
Mikel Rouse with George Grella
-
MaerzMusik
– By Martin Longley -
International Feel
– By Scott Gutterman
Dance
-
Dancing Inside and Outside the Box
– By Nell Breyer and Emily Coates -
Honoring History, Cultivating the Contemporary
– By Susan Yung
Film
-
Ken Loach’s Cinema of Solidarity
– By Dante A. Ciampaglia -
Agnès Varda: In fact or in silhouette
– By Lauren Carroll Harris -
Ivan Sen’s Limbo
– By Carly Mattox -
Baloji’s Omen
– By Farah Abdessamad -
Julio Torres’s Problemista
– By Jess Saldaña -
Vera Drew’s The People’s Joker
– By Brandon Blackburn
Theater
-
Stretching Out
– By reid tang, with illustration by Deborah Chi and Geoffrey Owen Miller -
Brouhaha Theatre Project with Annie Jin Wang
-
A Lineage and Journey to Be Understood in The Fires
– By Billy McEntee
Fiction
-
Holding Hands with Matt Damon
– By Samuel Rutter -
Arcadia
– By Ravi Mangla
Poetry
-
Albert Mobilio
-
Gabriele Tinti
– Translated by David Graham -
Micaela Warren
-
Sari Lafarge
-
Patricio Ferrari
-
Isabel Boutiette
-
Edmund Berrigan
-
Gabriele Tinti with Nicholas Benson
Art Books
-
Christopher D’Arcangelo
– By Curtis Eckley -
Shellburne Thurber’s Analysis
– By Jackson Davidow -
Charlene Prempeh’s Now You See Me!: An Introduction to 100 Years of Black Design
– By Colette Gaiter -
Julie Delporte’s Portrait of a Body
– By Karen Gu -
Amber Jamilla Musser’s Between Shadows and Noise
– By Nate Mickelson
In Memoriam
ArTonic
-
International Studio & Curatorial Program (ISCP)
– By Annabel Keenan
Field Notes
-
PROPTECH: From Zionist Occupation To Brooklyn Apartment Buildings
– By The Palestinian Solidarity Caucus Of The Brooklyn Eviction Defense Tenant Union (BED-TU) -
The Gaza Ghetto Uprising
– By Adi Callai
Art and Technology
-
Louise (Etra) Ledeen and the Visibility Politics of Women’s Media Work
– By Helena Shaskevich
Architecture
-
Christian Kerez with Nile Greenberg
-
A House for Artists: A Model for the Future
– By Ayesha S. Ghosh -
New York Art Production Centers
– By Keegan Brady -
Around Chinatown
– By Ted Baab -
Mark West: Surviving Logic
– By Nancy Goldring