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Toaster-Typewriter is the first iteration of what technology made with humor can do. A custom made machine that lets one burn letters onto bread, this hybrid appliance nudges users to exercise their imaginations while performing a mundane task like making toast in the morning.

gr1dflow is a collection of artworks created through code, delving into the world of computational space. While the flowing cells and clusters showcase the real-time and dynamic nature of the medium, the colours and the initial configuration of the complex shapes are derived from blockchain specific metadata associated with the collection.

Embedded/Embodied unites ‘acoustics’ and ‘epistemology’, acoustemology to investigate sound as a means of obtaining knowledge, delving into what can be known through listening.

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The light installation ‘What is for Sure’ explores the relationship between space and time. By reinterpreting and manipulating the seemingly natural and chronological rhythm of light, the artwork addresses the phenomenon of chromatic changes in the sky caused by atmospheric scattering.

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    Assistant Professor of XR Technologies at MIX Center at Arizona State University

    The School of Arts, Media and Engineering at Arizona State University seeks a dynamic developer and technologist for a tenure-track assistant professor in XR Technologies appointment.

    12/03/2024 / , ,

    Artistic Associate (m/f/d) Tangible Interfaces and Printed Electronics at Bauhaus-Universität Weimar

    The Faculty of Art and Design at Bauhaus-Universität Weimar invites applications for the following position at the Chair of Interface Design: Artistic Associate Tangible Interfaces and Printed Electronics.

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    Executive Director at Processing Foundation

    The Processing Foundation are looking for a leader who will help them envision the next chapter of the organization.

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    Created as a collaboration between 9 artists, It’s doing it is an online group exhibition of computer generated images that autonomously updates on a daily basis over the course of 45 days. All of the works in the show are instruction-based artworks expressed through computer programs written by the artists. These programs generate new images once daily that can be viewed on the website.

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    Created by Kenichi Yoneda (Kynd) in collaboration with Tokyo ‘visual label’ BRDG, [BRDG020] Lilium is an audio-visual experiment that combines Kynd’s research into water colour simulation with the music by Yopparigami/Yu Miyashita.

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    Created by the Bachelor Photography and Master Product Design students at ECAL, #PhotoBooth is a project and a series of interactive installations showing how mobile phone cameras and the selfie phenomenon changed the way we look at ourselves.

    Created by Martin Reiche and exhibited at his solo exhibition titled “NN – Compuatability, Survival, Cybergenesis” at Transmediale 2015, Drone Garden is an installation addressing the issue of naturality in a networked and virtualised environment.

    Transmissions from the Technological Sublime is a panoramic multimedia installation that depicts a nocturnal landscape of non-place populated by infrastructure rather than people. Hatched as a MFA thesis project within OCAD University’s integrated media program by Toronto’s Michael Trommer, the audiovisual piece renders highways, shipping channels, airports, and office parks as uncanny interstitial zones of contemplation.

    Mattia Casalegno (multifaceted Italian artist based in Los Angeles, 1981) takes inspiration from disciplines such as anthropology, biology, ecology, and neurosciences, deploying a vast array of technologies and expressive forms, with a natural inclination for new media languages.

    Created by Moscow based artist Dmitry Morozov aka ::vtol::, Oil is the latest in the series of installations by Dmitry that explore the relationship between the material and ephemeral in contemporary culture.
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    Since its inception in 2008, CreativeApplications.Net has been a driving force, tirelessly influencing and shaping the conversations surrounding technology, society, and critical making. With a vast library boasting over 3,500 meticulously curated projects, experiments, texts, and reviews, CAN stands resolute as an unparalleled resource for students, educators, practitioners, curators, and cultural producers alike, serving as an enduring beacon guiding them through the complexities of the digital era. However, as we navigate the ever-shifting landscape of creative exploration and innovation, we can't do it alone. We need YOU. We ask you to embark on this journey with us, extending your support by becoming a Member and contributing to our shared mission of propelling CreativeApplications.Net forward.

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