Art and Design

Highlights

  1. Critic’s Notebook

    The Venice Biennale and the Art of Turning Backward

    Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim?

     By

    Paintings by 20th-century artists hang cheek by jowl in the Central Pavilion of the 2024 Venice Biennale. The nude at center left was painted by the pioneering Brazilian artist Tarsila do Amaral.
    Paintings by 20th-century artists hang cheek by jowl in the Central Pavilion of the 2024 Venice Biennale. The nude at center left was painted by the pioneering Brazilian artist Tarsila do Amaral.
    CreditCasey Kelbaugh for The New York Times
  2. Maurizio Cattelan’s Got a Gun Show

    From bananas as art to bullet-riddled panels: The Italian artist, in a rare in-person interview, tells why he turned his sardonic gaze on a violence-filled world.

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    The artist Maurizio Cattelan at Gagosian with a wall of his new work, “Sunday,” its gold-plated steel panels riddled with bullets from pistols, rifles and semiautomatic weapons at a New York firing range.
    The artist Maurizio Cattelan at Gagosian with a wall of his new work, “Sunday,” its gold-plated steel panels riddled with bullets from pistols, rifles and semiautomatic weapons at a New York firing range.
    CreditVincent Tullo for The New York Times
  1. Archie Moore, Australian Artist, Wins Top Prize at Venice Biennale

    Moore, an Indigenous Australian artist, won the Golden Lion for “kith and kin,” which draws on what he says is 65,000 years of family history.

     By

    Archie Moore’s work, curated by Ellie Buttrose, in the Australia pavilion at the 2024 Venice Biennale.
    CreditMatteo de Mayda for The New York Times
  2. 8 Hits of the Venice Biennale

    These highlights drew the big crowds in the early days, from a sonorous symphony made by fruit, to an underwater spectacle to a modern-day Tintoretto.

     By Jason FaragoAlex MarshallJulia HalperinJillian SteinhauerZachary SmallCasey Kelbaugh and

    CreditCasey Kelbaugh for The New York Times
  3. Roni Horn: a Restless Artist With 4 Shows and More Identities

    The spring exhibitions display Horn’s work across many mediums — a reflection of how the artist, known for her serene glass sculptures, sees herself.

     By

    The Conceptual artist Roni Horn. Her great subject turns out to be the malleability of identity, including her own.
    CreditJeanette Spicer for The New York Times
  4. Books Bound in Human Skin: An Ethical Quandary at the Library

    Harvard’s recent decision to remove the binding of a notorious volume in its library has thrown fresh light on a shadowy corner of the rare book world.

     By Jennifer Schuessler and

    A small 17th-century book bound in human skin, held in front of a volume bound in leather. Roughly 50 reputed or confirmed skin-bound books are known to exist in libraries or private collections around the world.
    CreditJeenah Moon for The New York Times
  5. What to See in N.Y.C. Galleries in April

    Blake Gopnik reviews Richmond Barthé’s celebrated sculptures, Claude Viallat’s paintings on fabric and Maarten Baas’s one-of-a-kind “Sweeper’s Clock.”.

     By Blake GopnikRoberta Smith and

    Installation view of “Claude Viallat: Made in Nîmes” at Templon.
    CreditArtists Rights Society (ARS), New York/ADAGP, Paris; via Claude Viallat and Templon, Paris, Brussels and New York; Photo by Charles Roussel

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  1. art review

    How Paris Changed the Expat Artists

    An exhibition at the Grey Art Museum explores the fervid postwar scene in Paris, where Ellsworth Kelly, Joan Mitchell and others learned lessons America couldn’t teach them.

    By Karen Rosenberg

     
  2. 36 Hours

    36 Hours on Maui

    The beauty and hospitality of this Hawaiian island, still recovering from last year’s wildfires, remain as vibrant as ever.

    By Shannon Wianecki

     
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  4. May Brings Not Just Flowers, but Fairs

    Beyond Frieze, the options for collectors include events devoted to contemporary African art as well as underrepresented and emerging artists. Here’s a roundup.

    By Tanya Mohn

     
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