Zendaya, Josh O’Connor and Mike Faist, who play three entangled tennis pros, and their director, Luca Guadagnino, talk about ambition, jealousy and the “erotic amusement” of their new movie.
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Jessica Lange stars as a ferocious matriarch alongside Celia Keenan-Bolger and Jim Parsons in Vogel’s latest family drama.
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From bananas as art to bullet-riddled panels: The Italian artist, in a rare in-person interview, tells why he turned his sardonic gaze on a violence-filled world.
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Canceled by Disney before it even aired, “The Spiderwick Chronicles” found a new home at Roku and has so far “delivered results beyond expectations,” its creator said.
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One for the Ages: Sonia Delaunay’s Wearable Abstractions
A steamer trunk worth of clothing and textiles by the French-Ukrainian artist reveals the sartorial origins of abstraction.
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‘Terrestrial Verses’ Review: Sitting in the Bureaucrat’s Seat
Ordinary Iranians face a maze of byzantine rules and small indignities in this series of gripping vignettes.
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A Wanderer, Ravel and Suzanne Farrell: Life Is Good at City Ballet
The spring season at New York City Ballet opened with an all-Balanchine program and a vintage miniature from 1975: “Errante,” staged for a new generation.
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‘Challengers’ Review: Game, Set, Love Matches
Zendaya, Josh O’Connor and Mike Faist play friends, lovers and foes on and off the tennis court in Luca Guadagnino’s latest.
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How Postwar Paris Changed the Expat Artists
An exhibition at the Grey Art Museum explores the fervid postwar scene in Paris, where Ellsworth Kelly, Joan Mitchell and others learned lessons America couldn’t teach them.
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Anthony Roth Costanzo, Star Countertenor, to Lead Opera Philadelphia
Costanzo will be a rare figure in classical music: an artist in his prime who is also working as an administrator.
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Review: Steve Carell as the 50-Year-Old Loser in a Comic ‘Uncle Vanya’
Sleek, lucid, amusing, often beautiful, it’s Chekhov with everything, except the main thing.
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‘Humane’ Review: An Ethical Crisis and a Dinner Party
Caitlin Cronenberg’s debut feature is set in a dystopian world that’s alarmingly believable.
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‘Boy Kills World’ Review: A Wide-Eyed Assassin
Beefed up and bloodied, Bill Skarsgard goes mano a mano against disposable hordes in this dystopian action flick.
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Chicago Museum Says Investigators Have No Evidence Art Was Looted
In a court filing, the Art Institute of Chicago fought Manhattan prosecutors’ efforts to seize an important Egon Schiele drawing, denying that the Nazis had stolen it.
By Graham Bowley and
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This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald’s 1925 novel endures because it is a tragedy.
By Laura Collins-Hughes
His expertise on the electromechanical Mellotron helped define the band’s progressive sound in the 1960s and ’70s on albums like “Days of Future Passed.”
By Richard Sandomir
Suggested reading from critics and editors at The New York Times.
Perhaps you would enjoy “Knuckles,” a Sonic the Hedgehog spinoff that outpaces its origin story.
By Esther Zuckerman
Possibly the most prolific archival record producer in history, he was a founder of the Mosaic label, which became the gold standard of jazz reissues.
By Giovanni Russonello
Read the ruling from New York’s top court that overturned the 2020 conviction of Harvey Weinstein on felony sex crime charges in Manhattan, with context and explanation by New York Times journalists.
A discussion about the singer’s new album, “The Tortured Poets Department,” her “imperial era,” rumored relationships and production choices.
She devoted her life to showing us how and why.
By A.O. Scott
Zendaya breaks hearts in a stylish tennis love triangle.
By The Styles Desk
This understated tear-jerker sees a dying single father making future family plans for his toddler son.
By Glenn Kenny
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